DS Public Art
DS Public Art, 2006
In cooperation with: Szilvia Németh, sociologist
Public art
32 metal signs
150 x 100 cm
Metal plates, reflective adhesive foils
Location: Dunajská Streda, Slovakia
Photos by Tibor Somogyi
DS Public Art, 2006
In cooperation with: Szilvia Németh, sociologist
Public art
32 metal signs
150 x 100 cm
Metal plates, reflective adhesive foils
Location: Dunajská Streda, Slovakia
Photos by Tibor Somogyi
Optimal Space, 2006
Interactive installation
50 x 50 x 50 cm
Particle board, stainless steel, glass, led lamps, measuring instruments, electronics
Location: HIT Gallery, Bratislava
Photos by Martin Marenčin
The Wall 2, 2006
Site specific installation
224 x 130 x 736 cm
Mudbricks
Location: Modern Art Oxford, Oxford, UK
“In her first UK exhibition, artist Ilona Németh will transform the lower gallery space at Modern Art Oxford with her mysterious mud-brick installation, The Wall. Visitors will walk through the partially enclosed structure, which has been constructed on site with 450 mudbricks. First exhibited in 1995 in a disused synagogue, the bricks were made with local mud and straw following a process used by the rural Romany population in Slovakia. For the Oxford exhibition, the bricks are being hand-made in the Chilterns.”
Ready Made Tattoo, 1999
Design for a tattoo, print (297 x 210 cm)
Location: Slovak Art For Free, 48. La Biennale di Venezia, Pavilion of the Czech and Slovak Republic
Intimate Room, 1999
Design for a tattoo, print (297 x 210 cm)
Location: Slovak Art for Free, 48. La Biennale di Venezia, Pavilion of the Czech and Slovak Republic
Photos by Martin Marenčin
Czernowitz Austria, 2006
Object
Height: 2 m
Plaster, chrome
Photos by Marián Ravasz
Private Gynecological Ambulance I. – III., 1997
Installation
72 x 112 x 112 cm
Metal examining chair, velvet, rabbit fur, moss
Property of the Ludwig Museum – Museum of Contemporary Art, Budapest
Photos by Hiroshima City Museum of Contemporary Art (2005)
On the Road, 1997
In cooperation with Juraj Bartusz
Site specific installation
10 x 12 m
Suitcases, video
Location: At Home Gallery, Šamorín, Slovakia
Photos by Lehel Tóth
Polyfunctional Woman, 1996
Sound installation
200 x 260 x 45 cm
Bed, velvet upholstery, audio equipment
Property of the Ludwig Museum – Museum of Contemporary Art Budapest
Photos by Martin Marenčin (1996), Kunstmuzeum Luzern (2002), Tibor Somogyi (2004), Hiroshima City Museum of Contemporary Art (2005), József Rosta (2012)
I have worked with sound installations since 1996. My first such work was the Polyfunctional Woman, where I have used 13 women’s voices for expressing emotions without words. I am interested in the interactive use of sound.
The Way, 1996
Installation
2.6 x 60 m
110 railway sleepers
Location: At Home Gallery, Šamorín, Slovakia
Photos by Martin Marenčin
Let’s Sweep It under the Carpet, 1997
The Floor II.
In cooperation with Ágnes Deli
Interactive site-specific sound installation
200 x 400 x 400 cm
White canvas, pillows, cottonwool, various hidden objects
Location: Gallery Stúdió, Budapest, Hungary
Photos by József Rosta
Greetings from Štúrovo for Kokolia, 1997
Performance
Location: Štúrovo side of the Mária Valéria Bridge, Slovakia
Photos by Martin Marenčin
Pillow (Our Dreams), 1996
The Floor I.
Site specific installation
520 x 1120 cm
Pillows
Location: Museum of Art / Považská galéria umenia, Žilina, Slovakia
Photos by Martin Marenčin
I’ve Always Liked Redhaired Women, 1992
Homage to Hrabal’s Mother
Installation
350 x 300 x 300 cm
Copper wires, netting, roses
Location: Museum of Art / Považská galéria umenia, Žilina, Slovakia
Photos by Martin Marenčín
The Column, 1995
Site specific installation
330 x 90 x 90 cm
Plexiglass, hair
Property of the Museum of Art / Považská galéria umenia, Žilina, Slovakia
Location: Slovak National Gallery / Slovenská národná galéria, Bratislava, Slovakia
Photos by Martin Marenčin
The Wall 1., 1995
Site specific installation
240 x 120 x 1000 cm
Mudbricks
Location: Synagogue na Palmovce, Prague, Czech Republic
Photos by Petr Zhoř